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		<id>https://www.hymnwiki.org/wiki/index.php?action=history&amp;feed=atom&amp;title=Elihu_S._Rice</id>
		<title>Elihu S. Rice - Revision history</title>
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		<updated>2026-04-30T08:43:56Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=14560&amp;oldid=prev</id>
		<title>Veramet at 09:46, 15 April 2023</title>
		<link rel="alternate" type="text/html" href="https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=14560&amp;oldid=prev"/>
				<updated>2023-04-15T09:46:11Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 09:46, 15 April 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot; &gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1854 the marriage of Elihu S. Rice and Miss Jeannette Mabon was solemnized. For forty-one years they pursued the journey of life together, and in 1895 the summons to the better land came to the devoted wife and mother. Of their two children Frank M. has been previously mentioned in this sketch; and the daughter, Annie E., is the wife of George C. Taber, of Logansport.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1854 the marriage of Elihu S. Rice and Miss Jeannette Mabon was solemnized. For forty-one years they pursued the journey of life together, and in 1895 the summons to the better land came to the devoted wife and mother. Of their two children Frank M. has been previously mentioned in this sketch; and the daughter, Annie E., is the wife of George C. Taber, of Logansport.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his boyhood Mr. Rice has taken great pleasure in music, and at an early age was able to read notes readily. By close study he acquired a considerable knowledge of the art and in 1848 was chosen leader of the social glee club of mixed voices, for which he composed his first musical piece. The same year he organized a male quartet comprising, besides himself, D. E. Bryer (whose campaign songs, in later years, were published by the Home Music Company), James Bryer (deceased) and Allen Richardson. In 1856 this quartet, as &amp;quot;The Rocky Mountain Glee Club,&amp;quot; assisted in the presidential campaign of that year and became celebrated. Four years later Mr. Rice became director of the Logansport choral union, which numbered about fifty persons. For over thirty years he has been the faithful leader of the Baptist church choir, he having been connected with that church as an active member for years and for over a quarter of a century having officiated as one of its trustees. In 1866, while secretary and chorister of the Sunday school, he wrote the popular music to H. L. Hastings' hymn, &amp;quot;Shall we meet beyond the river?&amp;quot; More than twenty-five years ago he composed the music for that beautiful anthem, &amp;quot;Come, let us sing unto the Lord,&amp;quot; and during a recent trip to Salt Lake City and the west he was pleasantly surprised, upon the occasion of his attending the services in the great &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Mormon &lt;/del&gt;tabernacle, to hear the choir of over two hundred well-trained voices, accompanied by the wonderful great organ, render the anthem mentioned in an excellent manner. Music has been a recreation and a pastime with him, for his soul delights in it. His life has been that of a noble Christian man, of love and service toward God and man, and he may well look back upon the past with few regrets and with the assurance that to him will come the verdict, &amp;quot;Well done, good and faithful servant.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his boyhood Mr. Rice has taken great pleasure in music, and at an early age was able to read notes readily. By close study he acquired a considerable knowledge of the art and in 1848 was chosen leader of the social glee club of mixed voices, for which he composed his first musical piece. The same year he organized a male quartet comprising, besides himself, D. E. Bryer (whose campaign songs, in later years, were published by the Home Music Company), James Bryer (deceased) and Allen Richardson. In 1856 this quartet, as &amp;quot;The Rocky Mountain Glee Club,&amp;quot; assisted in the presidential campaign of that year and became celebrated. Four years later Mr. Rice became director of the Logansport choral union, which numbered about fifty persons. For over thirty years he has been the faithful leader of the Baptist church choir, he having been connected with that church as an active member for years and for over a quarter of a century having officiated as one of its trustees. In 1866, while secretary and chorister of the Sunday school, he wrote the popular music to H. L. Hastings' hymn, &amp;quot;Shall we meet beyond the river?&amp;quot; More than twenty-five years ago he composed the music for that beautiful anthem, &amp;quot;Come, let us sing unto the Lord,&amp;quot; and during a recent trip to Salt Lake City and the west he was pleasantly surprised, upon the occasion of his attending the services in the great &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;… &lt;/ins&gt;tabernacle &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[of The Church of Jesus Christ of Latter-day Saints]&lt;/ins&gt;, to hear the choir of over two hundred well-trained voices, accompanied by the wonderful great organ, render the anthem mentioned in an excellent manner. Music has been a recreation and a pastime with him, for his soul delights in it. His life has been that of a noble Christian man, of love and service toward God and man, and he may well look back upon the past with few regrets and with the assurance that to him will come the verdict, &amp;quot;Well done, good and faithful servant.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=References=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=References=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Veramet</name></author>	</entry>

	<entry>
		<id>https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=14556&amp;oldid=prev</id>
		<title>Veramet at 09:40, 15 April 2023</title>
		<link rel="alternate" type="text/html" href="https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=14556&amp;oldid=prev"/>
				<updated>2023-04-15T09:40:31Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 09:40, 15 April 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot; &gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1854 the marriage of Elihu S. Rice and Miss Jeannette Mabon was solemnized. For forty-one years they pursued the journey of life together, and in 1895 the summons to the better land came to the devoted wife and mother. Of their two children Frank M. has been previously mentioned in this sketch; and the daughter, Annie E., is the wife of George C. Taber, of Logansport.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1854 the marriage of Elihu S. Rice and Miss Jeannette Mabon was solemnized. For forty-one years they pursued the journey of life together, and in 1895 the summons to the better land came to the devoted wife and mother. Of their two children Frank M. has been previously mentioned in this sketch; and the daughter, Annie E., is the wife of George C. Taber, of Logansport.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his boyhood Mr. Rice has taken great pleasure in music, and at an early age was able to read notes readily. By close study he acquired a considerable knowledge of the art and in 1848 was chosen leader of the social glee club of mixed voices, for which he composed his first musical piece. The same year he organized a male quartet comprising, besides himself, D. E. Bryer (whose campaign songs, in later years, were published by the Home Music Company), James Bryer (deceased) and Allen Richardson. In 1856 this quartet, as &amp;quot;The Rocky Mountain Glee Club,&amp;quot; assisted in the presidential campaign of that year and became celebrated. Four years later Mr. Rice became director of the Logansport choral union, which numbered about fifty persons. For over thirty years he has been the faithful leader of the Baptist church choir, he having been connected with that church as an active member for years and for over a quarter of a century having officiated as one of its trustees. In 1866, while secretary and chorister of the Sunday school, he wrote the popular music to H. L. Hastings' hymn, &amp;quot;Shall we meet beyond the river?&amp;quot; More than twenty-five years ago he composed the music for that beautiful anthem, &amp;quot;Come, let us sing unto the Lord,&amp;quot; and during a recent trip to Salt Lake City and the west he was pleasantly surprised, upon the occasion of his attending the services in the great Mormon tabernacle &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[since renamed to The Tablenacle Choir at Temple Square]&lt;/del&gt;, to hear the choir of over two hundred well-trained voices, accompanied by the wonderful great organ, render the anthem mentioned in an excellent manner. Music has been a recreation and a pastime with him, for his soul delights in it. His life has been that of a noble Christian man, of love and service toward God and man, and he may well look back upon the past with few regrets and with the assurance that to him will come the verdict, &amp;quot;Well done, good and faithful servant.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his boyhood Mr. Rice has taken great pleasure in music, and at an early age was able to read notes readily. By close study he acquired a considerable knowledge of the art and in 1848 was chosen leader of the social glee club of mixed voices, for which he composed his first musical piece. The same year he organized a male quartet comprising, besides himself, D. E. Bryer (whose campaign songs, in later years, were published by the Home Music Company), James Bryer (deceased) and Allen Richardson. In 1856 this quartet, as &amp;quot;The Rocky Mountain Glee Club,&amp;quot; assisted in the presidential campaign of that year and became celebrated. Four years later Mr. Rice became director of the Logansport choral union, which numbered about fifty persons. For over thirty years he has been the faithful leader of the Baptist church choir, he having been connected with that church as an active member for years and for over a quarter of a century having officiated as one of its trustees. In 1866, while secretary and chorister of the Sunday school, he wrote the popular music to H. L. Hastings' hymn, &amp;quot;Shall we meet beyond the river?&amp;quot; More than twenty-five years ago he composed the music for that beautiful anthem, &amp;quot;Come, let us sing unto the Lord,&amp;quot; and during a recent trip to Salt Lake City and the west he was pleasantly surprised, upon the occasion of his attending the services in the great Mormon tabernacle, to hear the choir of over two hundred well-trained voices, accompanied by the wonderful great organ, render the anthem mentioned in an excellent manner. Music has been a recreation and a pastime with him, for his soul delights in it. His life has been that of a noble Christian man, of love and service toward God and man, and he may well look back upon the past with few regrets and with the assurance that to him will come the verdict, &amp;quot;Well done, good and faithful servant.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=References=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=References=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Veramet</name></author>	</entry>

	<entry>
		<id>https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=14555&amp;oldid=prev</id>
		<title>Veramet at 09:39, 15 April 2023</title>
		<link rel="alternate" type="text/html" href="https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=14555&amp;oldid=prev"/>
				<updated>2023-04-15T09:39:14Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 09:39, 15 April 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot; &gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1854 the marriage of Elihu S. Rice and Miss Jeannette Mabon was solemnized. For forty-one years they pursued the journey of life together, and in 1895 the summons to the better land came to the devoted wife and mother. Of their two children Frank M. has been previously mentioned in this sketch; and the daughter, Annie E., is the wife of George C. Taber, of Logansport.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1854 the marriage of Elihu S. Rice and Miss Jeannette Mabon was solemnized. For forty-one years they pursued the journey of life together, and in 1895 the summons to the better land came to the devoted wife and mother. Of their two children Frank M. has been previously mentioned in this sketch; and the daughter, Annie E., is the wife of George C. Taber, of Logansport.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his boyhood Mr. Rice has taken great pleasure in music, and at an early age was able to read notes readily. By close study he acquired a considerable knowledge of the art and in 1848 was chosen leader of the social glee club of mixed voices, for which he composed his first musical piece. The same year he organized a male quartet comprising, besides himself, D. E. Bryer (whose campaign songs, in later years, were published by the Home Music Company), James Bryer (deceased) and Allen Richardson. In 1856 this quartet, as &amp;quot;The Rocky Mountain Glee Club,&amp;quot; assisted in the presidential campaign of that year and became celebrated. Four years later Mr. Rice became director of the Logansport choral union, which numbered about fifty persons. For over thirty years he has been the faithful leader of the Baptist church choir, he having been connected with that church as an active member for years and for over a quarter of a century having officiated as one of its trustees. In 1866, while secretary and chorister of the Sunday school, he wrote the popular music to H. L. Hastings' hymn, &amp;quot;Shall we meet beyond the river?&amp;quot; More than twenty-five years ago he composed the music for that beautiful anthem, &amp;quot;Come, let us sing unto the Lord,&amp;quot; and during a recent trip to Salt Lake City and the west he was pleasantly surprised, upon the occasion of his attending the services in the great Mormon tabernacle, to hear the choir of over two hundred well-trained voices, accompanied by the wonderful great organ, render the anthem mentioned in an excellent manner. Music has been a recreation and a pastime with him, for his soul delights in it. His life has been that of a noble Christian man, of love and service toward God and man, and he may well look back upon the past with few regrets and with the assurance that to him will come the verdict, &amp;quot;Well done, good and faithful servant.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his boyhood Mr. Rice has taken great pleasure in music, and at an early age was able to read notes readily. By close study he acquired a considerable knowledge of the art and in 1848 was chosen leader of the social glee club of mixed voices, for which he composed his first musical piece. The same year he organized a male quartet comprising, besides himself, D. E. Bryer (whose campaign songs, in later years, were published by the Home Music Company), James Bryer (deceased) and Allen Richardson. In 1856 this quartet, as &amp;quot;The Rocky Mountain Glee Club,&amp;quot; assisted in the presidential campaign of that year and became celebrated. Four years later Mr. Rice became director of the Logansport choral union, which numbered about fifty persons. For over thirty years he has been the faithful leader of the Baptist church choir, he having been connected with that church as an active member for years and for over a quarter of a century having officiated as one of its trustees. In 1866, while secretary and chorister of the Sunday school, he wrote the popular music to H. L. Hastings' hymn, &amp;quot;Shall we meet beyond the river?&amp;quot; More than twenty-five years ago he composed the music for that beautiful anthem, &amp;quot;Come, let us sing unto the Lord,&amp;quot; and during a recent trip to Salt Lake City and the west he was pleasantly surprised, upon the occasion of his attending the services in the great Mormon tabernacle &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[since renamed to The Tablenacle Choir at Temple Square]&lt;/ins&gt;, to hear the choir of over two hundred well-trained voices, accompanied by the wonderful great organ, render the anthem mentioned in an excellent manner. Music has been a recreation and a pastime with him, for his soul delights in it. His life has been that of a noble Christian man, of love and service toward God and man, and he may well look back upon the past with few regrets and with the assurance that to him will come the verdict, &amp;quot;Well done, good and faithful servant.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=References=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=References=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Veramet</name></author>	</entry>

	<entry>
		<id>https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12346&amp;oldid=prev</id>
		<title>Veramet at 07:34, 28 August 2010</title>
		<link rel="alternate" type="text/html" href="https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12346&amp;oldid=prev"/>
				<updated>2010-08-28T07:34:48Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 07:34, 28 August 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Works=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Works=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Anticipation]]&amp;lt;ref&amp;gt;[http://books.google.com/books?id=4Qfh2dJqL_kC&amp;amp;pg=PA63#v=onepage&amp;amp;q&amp;amp;f=false The Mission hymnal, 1914 (p. 63)]&amp;lt;/ref&amp;gt;—tune used with [[Shall We Meet &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;beyond the River&lt;/del&gt;]] (approved by the lyricist&amp;lt;ref&amp;gt;[http://books.google.com/books?id=55ICSWK_wtkC&amp;amp;pg=PA276#v=onepage&amp;amp;q&amp;amp;f=false My life and the story of the Gospel hymns and of Sacred songs and solos, 1907 (p. 276)]&amp;lt;/ref&amp;gt;)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Anticipation]]&amp;lt;ref&amp;gt;[http://books.google.com/books?id=4Qfh2dJqL_kC&amp;amp;pg=PA63#v=onepage&amp;amp;q&amp;amp;f=false The Mission hymnal, 1914 (p. 63)]&amp;lt;/ref&amp;gt;—tune used with [[Shall We Meet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;?&lt;/ins&gt;]] (approved by the lyricist&amp;lt;ref&amp;gt;[http://books.google.com/books?id=55ICSWK_wtkC&amp;amp;pg=PA276#v=onepage&amp;amp;q&amp;amp;f=false My life and the story of the Gospel hymns and of Sacred songs and solos, 1907 (p. 276)]&amp;lt;/ref&amp;gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Come, Let Us Sing unto the Lord]] (music)&amp;lt;ref name=&amp;quot;bio1&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Come, Let Us Sing unto the Lord]] (music)&amp;lt;ref name=&amp;quot;bio1&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Spare the Old Homestead]]&amp;lt;ref name=&amp;quot;cass&amp;quot;&amp;gt;[http://books.google.com/books?id=exgVAAAAYAAJ&amp;amp;pg=PA258#v=onepage&amp;amp;q&amp;amp;f=false History of Cass County Indiana: From its earliest settlement to the present time : with biographical sketches and reference to biographies previously compiled, Volume 1, 1913 (p. 258)]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Spare the Old Homestead]]&amp;lt;ref name=&amp;quot;cass&amp;quot;&amp;gt;[http://books.google.com/books?id=exgVAAAAYAAJ&amp;amp;pg=PA258#v=onepage&amp;amp;q&amp;amp;f=false History of Cass County Indiana: From its earliest settlement to the present time : with biographical sketches and reference to biographies previously compiled, Volume 1, 1913 (p. 258)]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Veramet</name></author>	</entry>

	<entry>
		<id>https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12337&amp;oldid=prev</id>
		<title>Veramet at 06:48, 28 August 2010</title>
		<link rel="alternate" type="text/html" href="https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12337&amp;oldid=prev"/>
				<updated>2010-08-28T06:48:22Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 06:48, 28 August 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Works=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Works=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Anticipation]]&amp;lt;ref&amp;gt;[http://books.google.com/books?id=4Qfh2dJqL_kC&amp;amp;pg=PA63#v=onepage&amp;amp;q&amp;amp;f=false The Mission hymnal, 1914 (p. 63)]&amp;lt;/ref&amp;gt;—tune used with [[Shall We Meet beyond the River]] (approved by the lyricist&amp;lt;ref&amp;gt;[http://books.google.com/books?id=55ICSWK_wtkC&amp;amp;pg=PA276#v=onepage&amp;amp;q&amp;amp;f=false My life and the story of the Gospel hymns and of Sacred songs and solos, 1907 (p. 276)]&amp;lt;/ref&amp;gt;)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Anticipation]]&amp;lt;ref&amp;gt;[http://books.google.com/books?id=4Qfh2dJqL_kC&amp;amp;pg=PA63#v=onepage&amp;amp;q&amp;amp;f=false The Mission hymnal, 1914 (p. 63)]&amp;lt;/ref&amp;gt;—tune used with [[Shall We Meet beyond the River]] (approved by the lyricist&amp;lt;ref&amp;gt;[http://books.google.com/books?id=55ICSWK_wtkC&amp;amp;pg=PA276#v=onepage&amp;amp;q&amp;amp;f=false My life and the story of the Gospel hymns and of Sacred songs and solos, 1907 (p. 276)]&amp;lt;/ref&amp;gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Come, Let Us Sing unto the Lord]] (music)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Come, Let Us Sing unto the Lord]] (music)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;bio1&amp;quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Spare the Old Homestead]]&amp;lt;ref name=&amp;quot;cass&amp;quot;&amp;gt;[http://books.google.com/books?id=exgVAAAAYAAJ&amp;amp;pg=PA258#v=onepage&amp;amp;q&amp;amp;f=false History of Cass County Indiana: From its earliest settlement to the present time : with biographical sketches and reference to biographies previously compiled, Volume 1, 1913 (p. 258)]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Spare the Old Homestead]]&amp;lt;ref name=&amp;quot;cass&amp;quot;&amp;gt;[http://books.google.com/books?id=exgVAAAAYAAJ&amp;amp;pg=PA258#v=onepage&amp;amp;q&amp;amp;f=false History of Cass County Indiana: From its earliest settlement to the present time : with biographical sketches and reference to biographies previously compiled, Volume 1, 1913 (p. 258)]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Those Little Red Shoes]]&amp;lt;ref name=&amp;quot;cass&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Those Little Red Shoes]]&amp;lt;ref name=&amp;quot;cass&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Veramet</name></author>	</entry>

	<entry>
		<id>https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12336&amp;oldid=prev</id>
		<title>Veramet at 06:44, 28 August 2010</title>
		<link rel="alternate" type="text/html" href="https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12336&amp;oldid=prev"/>
				<updated>2010-08-28T06:44:36Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 06:44, 28 August 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Works=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Works=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Anticipation]]&amp;lt;ref&amp;gt;[http://books.google.com/books?id=4Qfh2dJqL_kC&amp;amp;pg=PA63#v=onepage&amp;amp;q&amp;amp;f=false The Mission hymnal, 1914 (p. 63)]&amp;lt;/ref&amp;gt;—tune used with [[Shall We Meet beyond the River]] (approved by the lyricist&amp;lt;ref&amp;gt;[http://&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;www&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;cyberhymnal&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;org&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;htm/s/h/shawmeet.htm Cyberhymnal™ article&lt;/del&gt;.]&amp;lt;/ref&amp;gt;)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Anticipation]]&amp;lt;ref&amp;gt;[http://books.google.com/books?id=4Qfh2dJqL_kC&amp;amp;pg=PA63#v=onepage&amp;amp;q&amp;amp;f=false The Mission hymnal, 1914 (p. 63)]&amp;lt;/ref&amp;gt;—tune used with [[Shall We Meet beyond the River]] (approved by the lyricist&amp;lt;ref&amp;gt;[http://&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;books&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;google&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;com&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;books?id=55ICSWK_wtkC&amp;amp;pg=PA276#v=onepage&amp;amp;q&amp;amp;f=false My life and the story of the Gospel hymns and of Sacred songs and solos, 1907 (p&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;276)&lt;/ins&gt;]&amp;lt;/ref&amp;gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Come, Let Us Sing unto the Lord]] (music)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Come, Let Us Sing unto the Lord]] (music)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Spare the Old Homestead]]&amp;lt;ref name=&amp;quot;cass&amp;quot;&amp;gt;[http://books.google.com/books?id=exgVAAAAYAAJ&amp;amp;pg=PA258#v=onepage&amp;amp;q&amp;amp;f=false History of Cass County Indiana: From its earliest settlement to the present time : with biographical sketches and reference to biographies previously compiled, Volume 1, 1913 (p. 258)]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Spare the Old Homestead]]&amp;lt;ref name=&amp;quot;cass&amp;quot;&amp;gt;[http://books.google.com/books?id=exgVAAAAYAAJ&amp;amp;pg=PA258#v=onepage&amp;amp;q&amp;amp;f=false History of Cass County Indiana: From its earliest settlement to the present time : with biographical sketches and reference to biographies previously compiled, Volume 1, 1913 (p. 258)]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Veramet</name></author>	</entry>

	<entry>
		<id>https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12335&amp;oldid=prev</id>
		<title>Veramet at 06:40, 28 August 2010</title>
		<link rel="alternate" type="text/html" href="https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12335&amp;oldid=prev"/>
				<updated>2010-08-28T06:40:55Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 06:40, 28 August 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Anticipation]]&amp;lt;ref&amp;gt;[http://books.google.com/books?id=4Qfh2dJqL_kC&amp;amp;pg=PA63#v=onepage&amp;amp;q&amp;amp;f=false The Mission hymnal, 1914 (p. 63)]&amp;lt;/ref&amp;gt;—tune used with [[Shall We Meet beyond the River]] (approved by the lyricist&amp;lt;ref&amp;gt;[http://www.cyberhymnal.org/htm/s/h/shawmeet.htm Cyberhymnal™ article.]&amp;lt;/ref&amp;gt;)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Anticipation]]&amp;lt;ref&amp;gt;[http://books.google.com/books?id=4Qfh2dJqL_kC&amp;amp;pg=PA63#v=onepage&amp;amp;q&amp;amp;f=false The Mission hymnal, 1914 (p. 63)]&amp;lt;/ref&amp;gt;—tune used with [[Shall We Meet beyond the River]] (approved by the lyricist&amp;lt;ref&amp;gt;[http://www.cyberhymnal.org/htm/s/h/shawmeet.htm Cyberhymnal™ article.]&amp;lt;/ref&amp;gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Come, Let Us Sing unto the Lord]] (music)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Come, Let Us Sing unto the Lord]] (music)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Spare the Old Homestead]]&amp;lt;ref name=&amp;quot;cass&amp;quot;&amp;gt;[http://books.google.com/books?id=exgVAAAAYAAJ&amp;amp;pg=PA258#v=onepage&amp;amp;q&amp;amp;f=false History of Cass County Indiana: From its earliest settlement to the present time : with biographical sketches and reference to biographies previously compiled, Volume 1, 1913 (p. 258)]&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Those Little Red Shoes]]&amp;lt;ref name=&amp;quot;cass&amp;quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Those Good Old Days]]&amp;lt;ref name=&amp;quot;cass&amp;quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Biographies=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Biographies=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Veramet</name></author>	</entry>

	<entry>
		<id>https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12334&amp;oldid=prev</id>
		<title>Veramet at 06:35, 28 August 2010</title>
		<link rel="alternate" type="text/html" href="https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12334&amp;oldid=prev"/>
				<updated>2010-08-28T06:35:22Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 06:35, 28 August 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=General information=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=General information=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Birth: 28 Feb 1827&amp;lt;ref&amp;gt;[http://books.google.com/books?id=g34_AAAAYAAJ&amp;amp;pg=PA624#v=onepage&amp;amp;q&amp;amp;f=false Biographical and genealogical history of Cass, Miami, Howard and Tipton counties, Indiana, Volume 2, 1898 (p. 624–627)]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Birth: 28 Feb 1827&amp;lt;ref &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;name=&amp;quot;bio1&amp;quot;&lt;/ins&gt;&amp;gt;[http://books.google.com/books?id=g34_AAAAYAAJ&amp;amp;pg=PA624#v=onepage&amp;amp;q&amp;amp;f=false Biographical and genealogical history of Cass, Miami, Howard and Tipton counties, Indiana, Volume 2, 1898 (p. 624–627)]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Death: 1912&amp;lt;ref&amp;gt;[http://books.google.com/books?id=exgVAAAAYAAJ&amp;amp;pg=PA257#v=onepage&amp;amp;q&amp;amp;f=false History of Cass County Indiana: From its earliest settlement to the present time : with biographical sketches and reference to biographies previously compiled, Volume 1, 1913 (p. 257)]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Death: 1912&amp;lt;ref&amp;gt;[http://books.google.com/books?id=exgVAAAAYAAJ&amp;amp;pg=PA257#v=onepage&amp;amp;q&amp;amp;f=false History of Cass County Indiana: From its earliest settlement to the present time : with biographical sketches and reference to biographies previously compiled, Volume 1, 1913 (p. 257)]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Works=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Works=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Shall We Meet beyond the River]] (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;music&lt;/del&gt;)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Anticipation]]&amp;lt;ref&amp;gt;[http://books.google.com/books?id=4Qfh2dJqL_kC&amp;amp;pg=PA63#v=onepage&amp;amp;q&amp;amp;f=false The Mission hymnal, 1914 (p. 63)]&amp;lt;/ref&amp;gt;—tune used with &lt;/ins&gt;[[Shall We Meet beyond the River]] (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;approved by the lyricist&amp;lt;ref&amp;gt;[http://www.cyberhymnal.org/htm/s/h/shawmeet.htm Cyberhymnal™ article.]&amp;lt;/ref&amp;gt;&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Come, Let Us Sing unto the Lord]] (music)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Come, Let Us Sing unto the Lord]] (music)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot; &gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1854 the marriage of Elihu S. Rice and Miss Jeannette Mabon was solemnized. For forty-one years they pursued the journey of life together, and in 1895 the summons to the better land came to the devoted wife and mother. Of their two children Frank M. has been previously mentioned in this sketch; and the daughter, Annie E., is the wife of George C. Taber, of Logansport.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1854 the marriage of Elihu S. Rice and Miss Jeannette Mabon was solemnized. For forty-one years they pursued the journey of life together, and in 1895 the summons to the better land came to the devoted wife and mother. Of their two children Frank M. has been previously mentioned in this sketch; and the daughter, Annie E., is the wife of George C. Taber, of Logansport.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his boyhood Mr. Rice has taken great pleasure in music, and at an early age was able to read notes readily. By close study he acquired a considerable knowledge of the art and in 1848 was chosen leader of the social glee club of mixed voices, for which he composed his first musical piece. The same year he organized a male quartet comprising, besides himself, D. E. Bryer (whose campaign songs, in later years, were published by the Home Music Company), James Bryer (deceased) and Allen Richardson. In 1856 this quartet, as &amp;quot;The Rocky Mountain Glee Club,&amp;quot; assisted in the presidential campaign of that year and became celebrated. Four years later Mr. Rice became director of the Logansport choral union, which numbered about fifty persons. For over thirty years he has been the faithful leader of the Baptist church choir, he having been connected with that church as an &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;aciive &lt;/del&gt;member for years and for over a quarter of a century having officiated as one of its trustees. In 1866, while secretary and chorister of the Sunday school, he wrote the popular music to H. L. Hastings' hymn, &amp;quot;Shall we meet beyond the river?&amp;quot; More than twenty-five years ago he composed the music for that beautiful anthem, &amp;quot;Come, let us sing unto the Lord,&amp;quot; and during a recent trip to Salt Lake City and the west he was pleasantly surprised, upon the occasion of his attending the services in the great Mormon tabernacle, to hear the choir of over two hundred well-trained voices, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;accompanted &lt;/del&gt;by the wonderful great organ, render the anthem mentioned in an excellent manner. Music has been a recreation and a pastime with him, for his soul delights in it. His life has been that of a noble Christian man, of love and service toward God and man, and he may well look back upon the past with few regrets and with the assurance that to him will come the verdict, &amp;quot;Well done, good and faithful servant.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his boyhood Mr. Rice has taken great pleasure in music, and at an early age was able to read notes readily. By close study he acquired a considerable knowledge of the art and in 1848 was chosen leader of the social glee club of mixed voices, for which he composed his first musical piece. The same year he organized a male quartet comprising, besides himself, D. E. Bryer (whose campaign songs, in later years, were published by the Home Music Company), James Bryer (deceased) and Allen Richardson. In 1856 this quartet, as &amp;quot;The Rocky Mountain Glee Club,&amp;quot; assisted in the presidential campaign of that year and became celebrated. Four years later Mr. Rice became director of the Logansport choral union, which numbered about fifty persons. For over thirty years he has been the faithful leader of the Baptist church choir, he having been connected with that church as an &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;active &lt;/ins&gt;member for years and for over a quarter of a century having officiated as one of its trustees. In 1866, while secretary and chorister of the Sunday school, he wrote the popular music to H. L. Hastings' hymn, &amp;quot;Shall we meet beyond the river?&amp;quot; More than twenty-five years ago he composed the music for that beautiful anthem, &amp;quot;Come, let us sing unto the Lord,&amp;quot; and during a recent trip to Salt Lake City and the west he was pleasantly surprised, upon the occasion of his attending the services in the great Mormon tabernacle, to hear the choir of over two hundred well-trained voices, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;accompanied &lt;/ins&gt;by the wonderful great organ, render the anthem mentioned in an excellent manner. Music has been a recreation and a pastime with him, for his soul delights in it. His life has been that of a noble Christian man, of love and service toward God and man, and he may well look back upon the past with few regrets and with the assurance that to him will come the verdict, &amp;quot;Well done, good and faithful servant.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=References=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=References=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Veramet</name></author>	</entry>

	<entry>
		<id>https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12333&amp;oldid=prev</id>
		<title>Veramet at 06:25, 28 August 2010</title>
		<link rel="alternate" type="text/html" href="https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12333&amp;oldid=prev"/>
				<updated>2010-08-28T06:25:24Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 06:25, 28 August 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=General information=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=General information=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Birth: 28 Feb 1827&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Birth: 28 Feb 1827&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref&amp;gt;[http://books.google.com/books?id=g34_AAAAYAAJ&amp;amp;pg=PA624#v=onepage&amp;amp;q&amp;amp;f=false Biographical and genealogical history of Cass, Miami, Howard and Tipton counties, Indiana, Volume 2, 1898 (p. 624–627)]&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Death: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;After 1898&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Death: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1912&amp;lt;ref&amp;gt;[http://books.google.com/books?id=exgVAAAAYAAJ&amp;amp;pg=PA257#v=onepage&amp;amp;q&amp;amp;f=false History of Cass County Indiana: From its earliest settlement to the present time : with biographical sketches and reference to biographies previously compiled, Volume 1, 1913 (p. 257)]&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Works=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Works=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot; &gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his boyhood Mr. Rice has taken great pleasure in music, and at an early age was able to read notes readily. By close study he acquired a considerable knowledge of the art and in 1848 was chosen leader of the social glee club of mixed voices, for which he composed his first musical piece. The same year he organized a male quartet comprising, besides himself, D. E. Bryer (whose campaign songs, in later years, were published by the Home Music Company), James Bryer (deceased) and Allen Richardson. In 1856 this quartet, as &amp;quot;The Rocky Mountain Glee Club,&amp;quot; assisted in the presidential campaign of that year and became celebrated. Four years later Mr. Rice became director of the Logansport choral union, which numbered about fifty persons. For over thirty years he has been the faithful leader of the Baptist church choir, he having been connected with that church as an aciive member for years and for over a quarter of a century having officiated as one of its trustees. In 1866, while secretary and chorister of the Sunday school, he wrote the popular music to H. L. Hastings' hymn, &amp;quot;Shall we meet beyond the river?&amp;quot; More than twenty-five years ago he composed the music for that beautiful anthem, &amp;quot;Come, let us sing unto the Lord,&amp;quot; and during a recent trip to Salt Lake City and the west he was pleasantly surprised, upon the occasion of his attending the services in the great Mormon tabernacle, to hear the choir of over two hundred well-trained voices, accompanted by the wonderful great organ, render the anthem mentioned in an excellent manner. Music has been a recreation and a pastime with him, for his soul delights in it. His life has been that of a noble Christian man, of love and service toward God and man, and he may well look back upon the past with few regrets and with the assurance that to him will come the verdict, &amp;quot;Well done, good and faithful servant.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his boyhood Mr. Rice has taken great pleasure in music, and at an early age was able to read notes readily. By close study he acquired a considerable knowledge of the art and in 1848 was chosen leader of the social glee club of mixed voices, for which he composed his first musical piece. The same year he organized a male quartet comprising, besides himself, D. E. Bryer (whose campaign songs, in later years, were published by the Home Music Company), James Bryer (deceased) and Allen Richardson. In 1856 this quartet, as &amp;quot;The Rocky Mountain Glee Club,&amp;quot; assisted in the presidential campaign of that year and became celebrated. Four years later Mr. Rice became director of the Logansport choral union, which numbered about fifty persons. For over thirty years he has been the faithful leader of the Baptist church choir, he having been connected with that church as an aciive member for years and for over a quarter of a century having officiated as one of its trustees. In 1866, while secretary and chorister of the Sunday school, he wrote the popular music to H. L. Hastings' hymn, &amp;quot;Shall we meet beyond the river?&amp;quot; More than twenty-five years ago he composed the music for that beautiful anthem, &amp;quot;Come, let us sing unto the Lord,&amp;quot; and during a recent trip to Salt Lake City and the west he was pleasantly surprised, upon the occasion of his attending the services in the great Mormon tabernacle, to hear the choir of over two hundred well-trained voices, accompanted by the wonderful great organ, render the anthem mentioned in an excellent manner. Music has been a recreation and a pastime with him, for his soul delights in it. His life has been that of a noble Christian man, of love and service toward God and man, and he may well look back upon the past with few regrets and with the assurance that to him will come the verdict, &amp;quot;Well done, good and faithful servant.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=References=&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;references/&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:Hymnists]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:Hymnists]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:Composers]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:Composers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Veramet</name></author>	</entry>

	<entry>
		<id>https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12332&amp;oldid=prev</id>
		<title>Veramet at 06:10, 28 August 2010</title>
		<link rel="alternate" type="text/html" href="https://www.hymnwiki.org/wiki/index.php?title=Elihu_S._Rice&amp;diff=12332&amp;oldid=prev"/>
				<updated>2010-08-28T06:10:25Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 06:10, 28 August 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot; &gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Biographies=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Biographies=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Biography taken from [http://books.google.com/books?id=g34_AAAAYAAJ&amp;amp;pg=PA624#v=onepage&amp;amp;q&amp;amp;f=false Biographical and genealogical history of Cass, Miami, Howard and Tipton counties, Indiana, Volume 2, 1898 (p. 624–627)]==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Biography taken from [http://books.google.com/books?id=g34_AAAAYAAJ&amp;amp;pg=PA624#v=onepage&amp;amp;q&amp;amp;f=false Biographical and genealogical history of Cass, Miami, Howard and Tipton counties, Indiana, Volume 2, 1898 (p. 624–627)]==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;pre&amp;gt;&lt;/del&gt;ELIHU S. RICE.—This name is familiar to thousands of music-loving people in all parts of the United States, as that of the composer of some beautiful hymns and anthems which have been sung in churches, Sunday schools and homes for years. He has been an honored and respected citizen of Logansport for sixty years, much of this time having been actively engaged in business enterprises here.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;ELIHU S. RICE.—This name is familiar to thousands of music-loving people in all parts of the United States, as that of the composer of some beautiful hymns and anthems which have been sung in churches, Sunday schools and homes for years. He has been an honored and respected citizen of Logansport for sixty years, much of this time having been actively engaged in business enterprises here.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Though he has passed the usual life period of man, three-score years and ten, Mr. Rice is still hale and hearty, giving promise of many years of usefulness and activity, as he is sound in mind and body. Born in Genesee county. New York, February 28, 1827, he is a son of Erastus and Lucretia M. (Howe) Rice. The father, who was a native of Massachusetts, died in 1833, and five years later our subject, with his widowed mother and brothers and sisters, came to Logansport. Though his school days ended when he was sixteen years old, he was by that time master of the more practical branches of learning, and ready for beginning his business career. He obtained a position with the firm of Henry Martin &amp;amp; Company as clerk in 1843, and one of his associates here was the late J. C. Merriam, with whom he afterward was financially connected in one way or another as long as Mr. Merriam lived. During this long period, from 1843 to 1890, their relations were thoroughly harmonious, and were attended with marked success.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Though he has passed the usual life period of man, three-score years and ten, Mr. Rice is still hale and hearty, giving promise of many years of usefulness and activity, as he is sound in mind and body. Born in Genesee county. New York, February 28, 1827, he is a son of Erastus and Lucretia M. (Howe) Rice. The father, who was a native of Massachusetts, died in 1833, and five years later our subject, with his widowed mother and brothers and sisters, came to Logansport. Though his school days ended when he was sixteen years old, he was by that time master of the more practical branches of learning, and ready for beginning his business career. He obtained a position with the firm of Henry Martin &amp;amp; Company as clerk in 1843, and one of his associates here was the late J. C. Merriam, with whom he afterward was financially connected in one way or another as long as Mr. Merriam lived. During this long period, from 1843 to 1890, their relations were thoroughly harmonious, and were attended with marked success.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot; &gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1854 the marriage of Elihu S. Rice and Miss Jeannette Mabon was solemnized. For forty-one years they pursued the journey of life together, and in 1895 the summons to the better land came to the devoted wife and mother. Of their two children Frank M. has been previously mentioned in this sketch; and the daughter, Annie E., is the wife of George C. Taber, of Logansport.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1854 the marriage of Elihu S. Rice and Miss Jeannette Mabon was solemnized. For forty-one years they pursued the journey of life together, and in 1895 the summons to the better land came to the devoted wife and mother. Of their two children Frank M. has been previously mentioned in this sketch; and the daughter, Annie E., is the wife of George C. Taber, of Logansport.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his boyhood Mr. Rice has taken great pleasure in music, and at an early age was able to read notes readily. By close study he acquired a considerable knowledge of the art and in 1848 was chosen leader of the social glee club of mixed voices, for which he composed his first musical piece. The same year he organized a male quartet comprising, besides himself, D. E. Bryer (whose campaign songs, in later years, were published by the Home Music Company), James Bryer (deceased) and Allen Richardson. In 1856 this quartet, as &amp;quot;The Rocky Mountain Glee Club,&amp;quot; assisted in the presidential campaign of that year and became celebrated. Four years later Mr. Rice became director of the Logansport choral union, which numbered about fifty persons. For over thirty years he has been the faithful leader of the Baptist church choir, he having been connected with that church as an aciive member for years and for over a quarter of a century having officiated as one of its trustees. In 1866, while secretary and chorister of the Sunday school, he wrote the popular music to H. L. Hastings' hymn, &amp;quot;Shall we meet beyond the river?&amp;quot; More than twenty-five years ago he composed the music for that beautiful anthem, &amp;quot;Come, let us sing unto the Lord,&amp;quot; and during a recent trip to Salt Lake City and the west he was pleasantly surprised, upon the occasion of his attending the services in the great Mormon tabernacle, to hear the choir of over two hundred well-trained voices, accompanted by the wonderful great organ, render the anthem mentioned in an excellent manner. Music has been a recreation and a pastime with him, for his soul delights in it. His life has been that of a noble Christian man, of love and service toward God and man, and he may well look back upon the past with few regrets and with the assurance that to him will come the verdict, &amp;quot;Well done, good and faithful servant.&amp;quot;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;/pre&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his boyhood Mr. Rice has taken great pleasure in music, and at an early age was able to read notes readily. By close study he acquired a considerable knowledge of the art and in 1848 was chosen leader of the social glee club of mixed voices, for which he composed his first musical piece. The same year he organized a male quartet comprising, besides himself, D. E. Bryer (whose campaign songs, in later years, were published by the Home Music Company), James Bryer (deceased) and Allen Richardson. In 1856 this quartet, as &amp;quot;The Rocky Mountain Glee Club,&amp;quot; assisted in the presidential campaign of that year and became celebrated. Four years later Mr. Rice became director of the Logansport choral union, which numbered about fifty persons. For over thirty years he has been the faithful leader of the Baptist church choir, he having been connected with that church as an aciive member for years and for over a quarter of a century having officiated as one of its trustees. In 1866, while secretary and chorister of the Sunday school, he wrote the popular music to H. L. Hastings' hymn, &amp;quot;Shall we meet beyond the river?&amp;quot; More than twenty-five years ago he composed the music for that beautiful anthem, &amp;quot;Come, let us sing unto the Lord,&amp;quot; and during a recent trip to Salt Lake City and the west he was pleasantly surprised, upon the occasion of his attending the services in the great Mormon tabernacle, to hear the choir of over two hundred well-trained voices, accompanted by the wonderful great organ, render the anthem mentioned in an excellent manner. Music has been a recreation and a pastime with him, for his soul delights in it. His life has been that of a noble Christian man, of love and service toward God and man, and he may well look back upon the past with few regrets and with the assurance that to him will come the verdict, &amp;quot;Well done, good and faithful servant.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:Hymnists]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:Hymnists]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:Composers]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:Composers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Veramet</name></author>	</entry>

	</feed>