% ŵ (UTF-8 test character: double-u circumflex)
% “ = 0147 (left formatted quote)
% ” = 0148 (right formatted quote)
% — = 0151 (dash)
% – = 0150 (shorter dash)
% © = 0169 (copyright symbol)
% ® = 0174 (registered copyright symbol)

% parts finished on 30 Aug 2006 (Wednesday)
% Scott's suggestion added on 1 Sep 2006 (Friday)

\version "2.10.33"
#(ly:set-option 'point-and-click #f)

\paper
{
	indent = 0.0
	line-width = 185 \mm
	between-system-space = 0.1 \mm
	between-system-padding = #1
	ragged-bottom = ##t
	top-margin = 0.1 \mm
	bottom-margin = 0.1 \mm
	foot-separation = 0.1 \mm
	head-separation = 0.1 \mm
	after-title-space = 0.1 \mm
	before-title-space = 0.1 \mm
	%paper-height = 32 \cm
	%print-page-number = ##t
	%print-first-page-number = ##t
	between-title-space = 0.1 \mm
	%ragged-last-bottom
	%horizontal-shift
	%system-count
	%left-margin
	%paper-width
	%printallheaders
	%systemSeparatorMarkup
}

\header
{
	%dedication = ""
	title = "What Wondrous Love Is This?"
	%subtitle = ""
	%subsubtitle = ""
	% poet = \markup{ \italic Text: }
	% composer = \markup{ \italic Music: }
	%meter = ""
	%opus = ""
	%arranger = ""
	%instrument = ""
	%piece = \markup{\null \null \null \null \null \null \null \null \null \null \null \null \null \italic Slowly \null \null \null \null \null \note #"4" #1.0 = 70-100}
	%breakbefore
	%copyright = ""
	tagline = ""
}


global =
{
	\override Staff.TimeSignature #'style = #'()
	\time 2/2
	\key a \mixolydian
}

shapeStyle =
{
	%\aikenHeads
	%\sacredHarpHeads
}

sopWords = \lyricmode
{
    \override Score . LyricText #'font-size = #-1
    \override Score . LyricHyphen #'minimum-distance = #1
    \override Score . LyricSpace #'minimum-distance = #0.8
    % \override Score . LyricText #'font-name = #"Gentium"
    % \override Score . LyricText #'self-alignment-X = #-1
    \set stanza = "1. "
    What won -- drous love is this, O my soul, O my soul?
    What won -- drous love is this, O my soul!
    What won -- drous love is this that caused the Lord of Bliss
    To send such per -- fect peace to my soul, to my soul,
    To send such per -- fect peace to my soul?
}
sopWordsTwo = \lyricmode
{
    \set stanza = "2. "
    When I be -- gan to pray for my soul, for my soul,
    When I be -- gan to pray for my soul,
    When I be -- gan to pray, thus God did tru -- ly say,
    Christ is the truth and way, for thy soul, for thy soul,
    Christ is the truth and way, for thy soul.
}
sopWordsThree = \lyricmode
{
    \set stanza = "3. "
    From bonds of sin and woe I was borne, I was borne,
    From bonds of sin and woe I was borne,
    From bonds of sin and woe Christ made me to be whole:
    He jour -- neyed down be -- low for my soul, for my soul,
    He jour -- neyed down be -- low for my soul!
}
sopWordsFour = \lyricmode
{
    \set stanza = "4. "
    He shed his heav'n -- ly light in my soul, in my soul,
    He shed his heav'n -- ly light in my soul,
    He shed his heav'n -- ly light dis -- pers -- ing gloom and night.
    Now shines a ra -- diance bright, in my soul, in my soul,
    Now shines a ra -- diance bright, in my soul.
}
sopWordsFive = \lyricmode
{
    \set stanza = "5. "
    Ye ho -- ly an -- gels fly, bear the news, bear the news,
    Ye ho -- ly an -- gels fly, bear the news!
    Ye ho -- ly an -- gels fly, like co -- mets through the sky
    With loud and joy -- ful cry, bear the news, bear the news,
    With loud and joy -- ful cry, bear the news!
}
sopWordsSix = \lyricmode
{
    \override Score . LyricText #'font-size = #-1
    \override Score . LyricHyphen #'minimum-distance = #1
    \override Score . LyricSpace #'minimum-distance = #0.8
    \set stanza = "6. "
    To God and to the Lamb I will sing, I will sing.
    To God and to the Lamb I will sing.
    To God and to the Lamb, Je -- ho -- vah great I AM,
    And to the Son of Man I will sing, I will sing,
    And to the Son of Man I will sing.
}
sopWordsSeven = \lyricmode
{
    \set stanza = "7. "
    Come, friends of Zi -- on's King, join the praise, join the praise,
    Come, friends of Zi -- on's King, join the praise!
    Come, friends of Zi -- on's King, with hearts and voi -- ces sing,
    And strike each tune -- ful string, in his praise, in his praise,
    And strike each tune -- ful string in his praise.
}
sopWordsEight = \lyricmode
{
    \set stanza = "8. "
    And when from death we're free, we'll sing on, we'll sing on,
    And when from death we're free, we'll sing on;
    And when from death we're free, we'll sing, and joy -- ful be,
    And through e -- ter -- ni -- ty we'll sing on, we'll sing on,
    And through e -- ter -- ni -- ty we'll sing on.
}
sopWordsNine = \lyricmode
{
    \set stanza = "9. "
    Yea, to a bright -- er world we'll a -- rise, we'll a -- rise!
    When in that bright -- est world we a -- rise—
    When to that world we go, free from all pain and woe,
    We'll join the hap -- py throng, and sing on, and sing on,
    We'll join the hap -- py throng, and sing on.
}
altoWords = \lyricmode
{

}
tenorWords = \lyricmode
{

}
bassWords = \lyricmode
{

}

\score
{
	\new ChoirStaff
	<<
		\new Staff
		<<
			%\set Score.midiInstrument = "Orchestral Strings"
			%\set Score.midiInstrument = "Choir Aahs"
                        \set Score.midiInstrument = "Church Organ"
                        %\set Score.midiInstrument = "Ocarina"
                        %\set Score.midiInstrument = "Vibraphone"
                        %\set Score.midiInstrument = "Marimba"
                        %\set Score.midiInstrument = "Tubular Bells"
			\new Voice = "sopranos"
			{
				\voiceOne
				\global
				%\override Rest #'direction = #'0
				\override Score.MetronomeMark #'stencil = ##f
				\tempo 4 = 101
				\partial 2
				\shapeStyle
				e'2^\markup{\italic Legato} e'4 d' fis' a' b'2 a'4 fis' e'2 e'4 d' fis'2. \bar "" \break
				<b' g'>4 <d'' g'> <cis'' a'> b'4 a' b'2 a'4 fis'4 \tempo 4 = 53 e'2\fermata \bar "" \break
				\tempo 4 = 101 a'2 b'4 a' b' d'' e''2. e''4 <d'' b'> b' a'4 fis'4 e'2 \bar "" \break
				e'2 e'4 d' fis' a' b'2 a'4 fis'4 e'2 e'4 d' fis'2. \tempo 4 = 95 \bar "" \break
				<b' g'>4^\markup{\italic {Pui lento}} d'' cis'' b' a' b'2 \tempo 4 = 84 a'4^\markup{\italic Rit.} \tempo 4 = 77 fis' \tempo 4 = 58 e'2\fermata
				\bar "|."
			}

			\new Voice = "altos"
			{
				\voiceTwo
				\shapeStyle
				cis'2 cis'4 d' d' d' d'2 d'4 d' cis'2 cis'4 d' d'2.
				d'4 d' e' d'4 d' d'2 d'4 d' cis'2
				e'2 g'4 e' g' <a' fis'> <a' e'>2. <a' e'>4 g' d' <fis' d'> d' cis'2
				cis'2 cis'4 d' d' d' d'2 d'4 d'4 cis'2 cis'4 d' d'2.
				d'4 fis' e' <g' d'> e' g'2 fis'4 d' cis'2
			}

			\new Lyrics = sopranos { s1 }
			\new Lyrics = sopranosTwo { s1 }
			\new Lyrics = sopranosThree { s1 }
			\new Lyrics = sopranosFour { s1 }
			\new Lyrics = sopranosFive { s1 }
			%\new Lyrics = sopranosSix { s1 }
			%\new Lyrics = sopranosSeven { s1 }
                        %\new Lyrics = sopranosEight { s1 }
                        %\new Lyrics = sopranosNine { s1 }
			%\new Lyrics = altos { s1 }
			%\new Lyrics = tenors { s1 }
			%\new Lyrics = basses { s1 }
		>>


		\new Staff
		<<
			\clef bass
			\new Voice = "tenors"
			{
				\voiceThree
				\global
				\shapeStyle
				a2 a4 <a fis> a a b2 a4 a a2 a4 fis a2.
				g4 b a b4 a b2 a4 fis a2
				cis'2 b4 cis' d' d' e'2. cis'4 d' b a a a2
				a a4 <a fis> a a b2 a4 a4 a2 a4 a a2.
				b4 d' cis' b cis' d'2 d'4 a a2
			}

			\new Voice = "basses"
			{
				\voiceFour
				\shapeStyle
				<e a,>2 <e a,>4 <d a,> fis fis g2 fis4 fis a,2 a,4 <d a,> fis2.
				g,4 d e g4 fis g2 <fis d>4 b, a,2\fermata
				a2 g4 <a e> <b d> <a fis> <cis' a>2. a4 b g fis fis e2
				<e a,>2 <e a,>4 <d a,> fis <fis d> <g g,>2 fis4 <fis d>4 <e a,>2 e4 <fis d> fis2.
				g4 a a g a b2 <a fis>4 <fis d> <e a,>2\fermata
			}
		>>
		\context Lyrics = sopranos \lyricsto sopranos \sopWords
		\context Lyrics = sopranosTwo \lyricsto sopranos \sopWordsTwo
		\context Lyrics = sopranosThree \lyricsto sopranos \sopWordsThree
		\context Lyrics = sopranosFour \lyricsto sopranos \sopWordsFour
		\context Lyrics = sopranosFive \lyricsto sopranos \sopWordsFive
		%\context Lyrics = sopranosSix \lyricsto sopranos \sopWordsSix
		%\context Lyrics = sopranosSeven \lyricsto sopranos \sopWordsSeven
                %\context Lyrics = sopranosEight \lyricsto sopranos \sopWordsEight
                %\context Lyrics = sopranosNine \lyricsto sopranos \sopWordsNine
		%\context Lyrics = altos \lyricsto altos \altoWords
		%\context Lyrics = tenors \lyricsto tenors \tenorWords
		%\context Lyrics = basses \lyricsto basses \bassWords
	>>
	
	\midi {}
	\layout
	{	
		\context
		{
			\Lyrics
			\override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 0.5)
		}
	}
}


\score
{
	\new ChoirStaff
	<<
		\new Staff
		<<
			%\set Score.midiInstrument = "Orchestral Strings"
			%\set Score.midiInstrument = "Choir Aahs"
			\new Voice = "sopranos"
			{
				\voiceOne
				\global
				%\override Rest #'direction = #'0
				\override Score.MetronomeMark #'stencil = ##f
				\tempo 4 = 101
				\partial 2
				\shapeStyle
				e'2^\markup{\italic Legato} e'4 d' fis' a' b'2 a'4 fis' e'2 e'4 d' fis'2. \bar "" \break
				<b' g'>4 <d'' g'> <cis'' a'> b'4 a' b'2 a'4 fis'4 \tempo 4 = 53 e'2\fermata \bar "" \break
				\tempo 4 = 101 a'2 b'4 a' b' d'' e''2. e''4 <d'' b'> b' a'4 fis'4 e'2 \bar "" \break
				e'2 e'4 d' fis' a' b'2 a'4 fis'4 e'2 e'4 d' fis'2. \tempo 4 = 95 \bar "" \break
				<b' g'>4^\markup{\italic {Pui lento}} d'' cis'' b' a' b'2 \tempo 4 = 84 a'4^\markup{\italic Rit.} \tempo 4 = 82 fis' \tempo 4 = 74 e'2\fermata
				\bar "|."
			}

			\new Voice = "altos"
			{
				\voiceTwo
				\shapeStyle
				cis'2 cis'4 d' d' d' d'2 d'4 d' cis'2 cis'4 d' d'2.
				d'4 d' e' d'4 d' d'2 d'4 d' cis'2
				e'2 g'4 e' g' <a' fis'> <a' e'>2. <a' e'>4 g' d' <fis' d'> d' cis'2
				cis'2 cis'4 d' d' d' d'2 d'4 d'4 cis'2 cis'4 d' d'2.
				d'4 fis' e' <g' d'> e' g'2 fis'4 d' cis'2
			}

			%\new Lyrics = sopranos { s1 }
			%\new Lyrics = sopranosTwo { s1 }
			%\new Lyrics = sopranosThree { s1 }
			%\new Lyrics = sopranosFour { s1 }
			%\new Lyrics = sopranosFive { s1 }
			\new Lyrics = sopranosSix { s1 }
			\new Lyrics = sopranosSeven { s1 }
                        \new Lyrics = sopranosEight { s1 }
                        \new Lyrics = sopranosNine { s1 }
			%\new Lyrics = altos { s1 }
			%\new Lyrics = tenors { s1 }
			%\new Lyrics = basses { s1 }
		>>


		\new Staff
		<<
			\clef bass
			\new Voice = "tenors"
			{
				\voiceThree
				\global
				\shapeStyle
				a2 a4 <a fis> a a b2 a4 a a2 a4 fis a2.
				g4 b a b4 a b2 a4 fis a2
				cis'2 b4 cis' d' d' e'2. cis'4 d' b a a a2
				a a4 <a fis> a a b2 a4 a4 a2 a4 a a2.
				b4 d' cis' b cis' d'2 d'4 a a2
			}

			\new Voice = "basses"
			{
				\voiceFour
				\shapeStyle
				<e a,>2 <e a,>4 <d a,> fis fis g2 fis4 fis a,2 a,4 <d a,> fis2.
				g,4 d e g4 fis g2 <fis d>4 b, a,2\fermata
				a2 g4 <a e> <b d> <a fis> <cis' a>2. a4 b g fis fis e2
				<e a,>2 <e a,>4 <d a,> fis <fis d> <g g,>2 fis4 <fis d>4 <e a,>2 e4 <fis d> fis2.
				g4 a a g a b2 <a fis>4 <fis d> <e a,>2\fermata
			}
		>>
		%\context Lyrics = sopranos \lyricsto sopranos \sopWords
		%\context Lyrics = sopranosTwo \lyricsto sopranos \sopWordsTwo
		%\context Lyrics = sopranosThree \lyricsto sopranos \sopWordsThree
		%\context Lyrics = sopranosFour \lyricsto sopranos \sopWordsFour
		%\context Lyrics = sopranosFive \lyricsto sopranos \sopWordsFive
		\context Lyrics = sopranosSix \lyricsto sopranos \sopWordsSix
		\context Lyrics = sopranosSeven \lyricsto sopranos \sopWordsSeven
                \context Lyrics = sopranosEight \lyricsto sopranos \sopWordsEight
                \context Lyrics = sopranosNine \lyricsto sopranos \sopWordsNine
		%\context Lyrics = altos \lyricsto altos \altoWords
		%\context Lyrics = tenors \lyricsto tenors \tenorWords
		%\context Lyrics = basses \lyricsto basses \bassWords
	>>
	
	%\midi {}
	\layout
	{	
		\context
		{
			\Lyrics
			\override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 0.5)
		}
	}
}



\markup
{
	\column
	{
		\line{\italic Text: Attributed to Alexander Means}
		\line{\italic Melody: James Christopher; found in William Walker's \italic {Southern Harmony,} 1835}
                %Note: The rhythm of the melody is like that of the Connie Dover arrangement.
                \line{\italic {Parts and arrangement:} Mark Hamilton Dewey (b. 1980), 2007—based on Connie Dover's arrangement}
                %Notes: Mark Hamilton Dewey wrote the second verse based on the old second verse (i.e. When I was sinking down …); he also altered several of the other verses.  Verses one and six have been arranged by Connie Dover, except for the capitalization of Man, in Son of Man (which was done by Mark Hamilton Dewey).  Verse five is like the Connie Dover arrangement (her verse two), except that Mark Hamilton Dewey changed 'Ye winged angels fly' to 'Ye holy angels fly'.
                %Note: The parts were completed in 2006.  The lyrics were completed on 17 Oct 2007.
                %\line{\italic Parts: Mark Hamilton Dewey (b. 1980), 2006}
		\line{\italic {Tune name:} Wondrous Love}
                \line{\italic Key: A Mixolydian}
	}
}